There are lots of different items in both parts. I will not describe in detail, just give the numbers:
Force of Nature 1:
Force of Nature 2:
I will note that earlier there were many repeating elements among clothes and weapons. For example, there were many similar armor coats, differing only in the color of metal. Swords made of different metals also differed only in color (similarly, many other types of weapons).
In the next posts I will try to compare the first and second parts in numbers. Let's start with enemies.
There is one difficulty in calculating the total number of enemies. Should I take into account all shape and color variations of the same monsters? Or count only unique monster classes? The easiest way is just to give all the numbers.
Let's start with the first part of the game.
So, in total it has 12 enemy classes: Goblins, Golems, Sappers (goblins with bombs), Devils (from the desert), Rippers (ghosts with scythes), Scorpions, Skeletons, Yeti, Bears, Elks, Boars, Foxes. Some of the monsters in the same class have different models. For example, a brown bear and a polar bear have different body shapes, there are several types of Skeletons, and so on. If you count the number of different models, you will get more:
Total: 19 different enemy models
Almost all monsters also have color variations, for example, goblins inhabit different locations and have different colors. If we take into account all such variations (i. e., all different enemies that are generally in the game), then it will come out like this:
Total: 47 different enemies, although many of them are very similar to each other.
So, in total the first part contains:
I will not list all the enemies of the second part of the game, just give similar numbers. In total it will contain:
If we compare domestic animals, then:
There are 6 animals in the first part (each represented by a single variation)
In the second part - only 4 animals, but 2-3 color variations each - 10 unique variations total
Yes, there are fewer types of domestic animals. But, in fact, the goat and the cow in the first part brought the same resource (so I decided that the goat could not be included), and the pig had a little more benefit than zero (as I wrote earlier, I did not want to force players to kill peaceful pigs).
Besides that, in the first part there were rabbits and penguins. But in the second part there will also be some peaceful characters. And it will have bosses as well!
Another important feature worth mentioning. In the first part all enemies were purchased. By the way, it is the only thing in the game that was bought - everything else (buildings, trees, stones, resources, weapons, clothes and the main character) I drew myself. In the second part there is almost no purchased content. All monsters are unique and were made specifically for this game - you will not find them anywhere else in other games. Even the ones that were in the first part were redrawn to have a unique look.
In this post I will talk about one of the biggest game innovations - ghosts.
I already mentioned earlier that there will be bosses in the game. By killing them, you will release their souls, which will then exist in the form of ghosts. You can talk to ghosts. Some of them have unfinished business, which they will either tell you directly about, or hint at, if you ask them carefully.
So, the summer is over and the game isn't ready yet. Although in the spring I supposed everything would be different. Let's figure it out.
Almost everything that was supposed to be done by the end of the summer has indeed been completed. Absolutely all monsters and bosses are drawn and, most importantly, animated. I had the most doubts about the animation of monsters and bosses, but we did it. Quests and storyline are also ready. Some dialogs are still going through the final editing stage, but it doesn't take much time. Weapons, equipment, clothing - everything is ready for battle. All main buildings are also ready.
Character leveling system in the second part was completely redesigned.
Previously, levels were not a player's achievement, but simply stages of game walkthrough. Many players didn't like that getting new levels required completing quests (which limited players' freedom) and that the availability of buildings and recipes depended on it. Now character leveling up and rising through stages of technological progress don't depend on each other.
Fighting monsters, the player gains experience. Having accumulated a certain amount of experience, the player gets a new level. With each level obtained, the player also receives several skill points. He can spend these points to increase his health, stamina, accuracy and other attributes. Also for these points you can learn several active skills, such as sprints, dash, block pose, etc., and some magic techniques. There are 19 attributes and skills in total.
As in the first part of the game, some constructions can only be placed inside the house. However, the way of house building is now completely different. Now there will no longer be ready-made houses, such as a hut or a dugout.
The house will now need to be assembled from parts - floor, walls and roof. You can decide for yourself what size the house will be, what rooms will be inside.
In this post I'll tell about some details of character's inventory development.
Graphic style of item icons
We've done a huge work to create our own style for item icons. Firstly, I wanted icons not to look soulless, as it often happens when using screenshots of 3D models of items. Secondly, I didn't want a high level of realism, as it was in the first part of the game (I took photos of real items for icons there). Thirdly, I didn't want to go to another extreme - cartoon-like images. Also, icons should be easily recognized in small size - you can draw a beautiful detailed object image, but when you reduce its size to fit into the inventory cell, all its details turn into an illegible chaos of pixels. In search of the needed style we tried many different ways of drawing the same objects.
Character animation is quite a difficult task. There are many minor movements in the shoulders, pelvis, torso turns, etc. We don't pay attention to them, but if they are absent, the character starts to move like a robot.
Not having a lot of experience in character animation, but having the need for a large number of them for the first part of the game, I resorted to homemade motion capture technology. For this I used Microsoft Kinect sensor, which was designed for XBox 360, but can also be connected to a computer. This sensor uses infrared scanning to obtain a depth map and is essentially a low-resolution 3D scanner. On XBox, the sensor can detect player’s positions very approximately, but in real time. For PCs, there are special programs (I used iPi Mocap Studio) that allow you to record video, and then to extract human movements more accurately. All animations of the main character in the first part of the game were made in this way, and it took me only a couple of days. Main time was spent on manual cleaning of captured animations. Since the sensor can capture only from one side, sometimes when the body turns, hands can be hidden from the sensor by the body itself or by the head, so their position is not detected and has to be set manually. In general, I was very happy with the result. Although the quality of animations is not at a high level, I would have done much worse with my hands and spent much more time.
Since the quality bar for the second part of the game has risen, I wanted to make animations better. To do this, I decided to use two sensors to record animations. In addition, I decided to buy new, more modern ones - Microsoft Kinect 2.0.
Most of the buildings are already finished. But here I proceed from the principle of the more is the better. I plan to add lots of more decorative buildings. It takes quite a long time to create them, but we put our heart and soul into them. We try to think through the mechanism of their functioning and work out all details. Here, for example, is a jeweler's table:
In this and in the next posts I will tell you point by point about the current progress of game development. I will describe what is ready, what remains to be done, and give my estimates for the remaining work.
The game code is almost completely ready. It remains to script all bosses and a couple of minor quests. The rest of the game is already fully playable.
2. World and environment
All game locations are already finished. The game has 5 main biomes plus some additional locations and 4 types of dungeons. Map generation algorithms have been significantly improved since the first part of the game. Now the way to the goal won't be as straightforward as before. You'll have to explore locations to find the right way. Here is a screenshot of swamps - one of biomes I wrote about earlier:
I try to make all game aspects at the highest possible level. This also applies to the game sound design.
In the first part of the game I recorded sounds on a fairly inexpensive condenser recorder Zoom H4n. This recorder has its own low level noise, inappreciable when recording loud sounds. However, if you record quiet sounds - clicking seeds, taking an object from inventory, bones tinkling, etc., this noise becomes noticeable. I had to process recordings with a noise reduction filter, and this notedly decreased the final sound quality. Despite this, sounds recording is a very exciting process. I looked for sticks and stones on the street, broke and threw them, recorded individual sounds, and then assembled from them the sounds of different breaking structures.
To improve the sound quality in the second part I decided to improve my equipment. I did not want to buy separate microphones, stands, a recorder (a complete set for professional sound recording). I just decided to replace my rather cheap voice recorder with the recently released Sony PCM-D10 - an updated version of the Sony PCM-D100. This recorder was called the best in quality on many forums. I had to wait half a year for this recorder to appear in my region. However, the recording quality upset me greatly. It was no better than my old Zoom H4n. I made a test recording and compared signal spectrum.
Animal breeding has been slightly changed compared to the first part of the game.
The full list of domestic animals at the moment is as follows:
Building system has undergone some changes compared to the first part of the game.
As before, building can be done only within markup grid. A special window in the corner of the screen shows how many resources you have for the selected construction. This is useful if you build a lot of repetitive elements, such as fences.
In the first part of the game user interface was not very convenient. Many windows replaced each other, which distracted attention.
Now I tried to fix this problem. To begin with, the design itself has changed. The asset RPG & MMO UI 6 from Unity Asset Store was taken as the basis, but after it was significantly redone to fit my own needs. Windows can now be moved around the screen. Windows' header has an interesting animation. For example, this is how the main character’s inventory window looks like:
Many times I've been asked to add a female character to the first part of the game. But adding a new character means not only to draw it, but also to fit all the clothes to it. This is quite a bit of work. Therefore, I never added a female character to the Force of Nature 1. But now I collaborate with artists, so I can afford to realize every element of clothing in two versions - for male and for female.
So raise your thumbs up! Force of Nature 2 will allow you to choose the gender of the character.
This is how these characters look like during customization:
The swamp is another biome that I had to implement. The difficulty here, as always, is to generate its procedurally using algorithms, rather than drawing by hand. There were no problems with generating the landscape and placing the vegetation - the algorithms that I used before to create other biomes worked fine here. But I couldn’t make the surface of the water look like a swamp.
In one of the locations there is lava.
First I bought the ready material of lava in the Unity Asset Store. However, the situation was similar to the situation with the purchased water material. The purchased shader was not optimized and it was very difficult to improve it, because its code is completely unreadable and full of such lines as
float4 break770 = ( i.vertexColor / float4( 1,1,1,1 ) );
float4 lerpResult904 = lerp( lerpResult903 , appendResult898 , temp_output_1000_0);
float4 break967 = appendResult876;
float4 appendResult965 = (half4(break967.x , break967.y , 0.0 , break967.w));
As if someone specifically wanted to confuse me.
So I decided to write a similar shader from scratch. Armed with textures from the purchased asset, I quickly managed to make a pretty good lava:
In this post I will tell about what has already been done and what is to be done.
The "coding" part of the game is almost complete. All basic systems are ready - the movement system, physics, interaction with objects, building, crafting, repairing, clothing, weapons, AI, fights, saving and loading, game settings.
Compared to the first part of the game, the user interface has been completely redesigned - it has become much more convenient and I will tell about it separately in the future.
Now I'm mostly busy filling the game with content.
The game will have 5 main locations. As in the first part of the game locations will be very different from each other, some will be hot, other - cold. At the moment 4 locations are ready. By the end of the year I hope to finish the last location.
I add buildings and resources in parallel. Now only about 15% of them are ready, but thanks to new artists, they are added quite quickly.
I still have to:
... and many more little things.
As you can see, there is still plenty of work to do. But I hope I can handle it pretty fast.
Like the first part, the game will first be released only for single player. For the first couple of months after the release, I'll be busy mostly just supporting and adding some small new features. Then I plan to implement a co-op walkthrough. Since the second part of the game is much more difficult in technical terms, then I think it will take not less than half a year. After the co-op, I plan to make a big DLC that adds new locations, monsters, resources and buildings to the game. After that I want add the PvP mode and VR version of the game.
I created the first part of the game completely by myself. I was engaged in programming, drawing, modeling, animation, voice acting, music. My friends helped me with the testing, and the fans helped me translate the game into different languages.
Most of the second game I also developed alone. However, I realized that I want to add a lot of different content to the game and I can’t do it alone. Plus, the first part of the game brought me some money that I could spend on several assistants.
I have already worked in large companies before and have experience working with other people. However, until that time, I had not yet had occasion to manage the project or to engage in staff recruitment. I admit, the process of searching people turned out to be much more complicated than I thought. It took a lot of time and effort. As it turned out, each artist has his own strengths and weaknesses. And to understand his features, it is not enough to give the artist one test task - you need to work a little with him. And you should to figure it out if you want to form a balanced team of a small number of people.
Now I am collaborating with three 3D modelers, one 2D artist and one other person helps me with the documentation and design of the progress tree. At first, I had absolutely no strength and time for programming, all my attention was spent on putting artists in the course and agreeing on the style. However, now I can implement a full-fledged content creation process - from sketch to final model.
A* Pathfinding Pro
Path finding is an important component of artificial intelligence, which allows monsters to run from one point to another bypassing obstacles. There are 2 main approaches to finding a path - mesh-based and grid-based. Unity has its own pretty good mesh-based algorithm. However, such algorithms have several disadvantages. Mesh-based approach is universal and well suited for complex maps, with overlapping layers and bridges, but it is more difficult to adapt to a frequently changing world. In addition, the data structure in this approach is able to operate only the monsters of the same size. If the game has creatures of different sizes, then you need to generate and maintain a data structure for each size. Grid-base algorithms are more predictable and are easier to control. They easily adapt to changes in the map, but handle only one layer (it is difficult to use them for multi-level maps). For these reasons, RPG and strategy games commonly use grid-based algorithms. Therefore, this is exactly the algorithm I wanted for my game, which means that the built in path-finding did not work for me.
The most reted algorithm in the Unity store is A * Pathfinding Pro. Having purchased it, I first studied its code. It turned out that this algorithm does not use memory very efficiently and is poorly suited for large locations. Having contacted the author, I got more accurate data - in order to store a grid for a map of size 1000 by 1000 (the approximate size of locations in my game), the algorithm will need about 400 megabytes of memory. In the end, I developed my own solution for pathfinding. I took the algorithm from the first part and rework it significantly. I am very happy with the result - the data structure is very compact and supports monsters of any size. And it is several times faster than A * Pathfinding Pro. I can’t say that A * Pathfinding Pro is bad. It was simply designed to be as universal and easy to use. My algorithm, although it turned out to be quite optimized, is not very easy to use. However, it allows me to process hundreds of enemies at the same time, and I also have complete freedom in it, since this is my own code.
Screen Frost FX
For the effect of cold, I used the Screen Frost FX asset. This asset offers a nice animated effect of covering the screen with frost and also contains a good sound effect. However, the animation is implemented by simple frame-by-frame playback of individual generated images. To play this effect, it is necessary to keep 64 textures of 512 by 512 pixels each in video memory. Specially for this effect I wrote a small program that analyzed all the frames, and for each pixel determined the graph of its animation and approximated this graph with a function with 4 parameters. To play the animation of this effect, I also needed to write a small shader, which is able to restore the color of each pixel using the 4 function parameters and frame number. However, this allowed me to reduce the number of required textures of size 512 by 512 to 2 - the final color of the effect in one texture and the function parameters for each pixel in another.
Antialiasing is a software technique for diminishing jaggies - stairstep-like lines that should be smooth. There are a lot of different assets in the Unity Store that provides this filter. I started from Amplify FXAA (Fast approXimate Anti-Aliasing) because it is free and is high rated. I was totally satisfied by the result for a long time.
I read about the CTAA (Cinematic Temporal Anti-Aliasing) from one article that compared differet antialiasing techniques. It is a preaty expensive asset, but it was on a 50% off sale so I decided to check it. It took some time to adjust the parameters, but the result exceeded my expectations. The smallest details are now distinguishable.
Using ready solutions (assets) in Unity helps to save a lot of time. In the Asset Store you can buy models, sounds, animations, scripts and much more. There are tons of assets, but basically it is all a product of extremely low quality. Today I want to talk about which third-party assets I happened to encounter, which ones I ended up leaving in the game, and which ones I had to rework.
Standard terrain material in Unity uses the simplest way to blend textures. There are solutions for blending textures using heightmaps, which makes the transitions between textures more natural.
At one point in the game, the hero travels through the canyon. Creating procedural generation of cliffs of the canyon turned out to be quite an interesting task.
First, I sculpted a shape from clay. It took more than 10 kilograms of sculptural clay. I tried to convey the layered structure of the Grand Canyon. It was decided to make only three layers. I looked a lot of photos of the canyon and highlighted some interesting references.
It turned out that the C# language is very well suited for interacting with the external development environment. Unity uses pure C#, without any changes, and supports all its features, including the most modern. Native lambda expressions, events, and enumerators can save a lot of time. But how Unity adapted the embedded enumerator mechanism to create coroutines — emulation of the parallel code in one thread, at first seemed like some kind of magic for me. As a result, a person who knows C# needs exactly 1 day to start writing code for Unity. Also, the terrain system supports any changes in real time. In a month and a half I managed to do much more than in Unreal. Therefore I decided to stay on Unity. And since the first part of the game was written in C#, I could use pieces of code from it without any changes.
After two years of using the engine, I better understood how the engines work in principle. To form a picture, all the engines have a chain of methods - Rendering Pipeline. Both Unity and Unreal provide the opportunity to customize this chain. Only the default settings differ. For Unreal these default settings are designed for powerful hardware and for Unity - for mobile devices. However, you can always reconfigure Unreal for mobile devices or Unity for maximum graphics. Yes, for Unity this reconfiguration is not quite simple - it is not just a set of sliders and toggles. Some filters you should install separately and some you should buy or write your own. The initial feeling I had that games on Unity have worse graphics was caused by the reason that Unity has a much lower passing threshold, which has led many inexperienced users who are not able to adjust the graphics and use the default settings. However, there are also experienced teams that make beautiful games on Unity.
So I can officially declare that if the graphics in Force of Nature 2 is bad, then this is not because of Unity, but because of my crooked hands.
Since this is a development blog, I will talk quite a bit about technical issues.
Game development began from the choice of a game engine. I didn’t use any engines before and I had no idea how they work. After reading several overviews of game engines, I realized that now the most popular are Unity and Unreal Engine.The main difference between these engines is that Unreal is completely based on the C++ programming language, and Unity, although written in C++ itself, uses the C# language for user code and scripts. I programmed in both languages before, but much more in C#. The first part of the game is 95% implemented in C# and only 5% in C++. I also looked the list of games developed on these engines and noticed that games created with the Unreal Engine look more beautiful and modern. Also in the list of Unreal games there are many really big and high-quality AAA projects, such as ARK, Fortnite, PUBG, Batman, Gears of War, Street Fighter, Tekken, Warhammer and other.
Therefore, initially I chose Unreal Engine for Force of Nature 2. It seemed to me that Unreal is for good and high-quality games, and Unity is for beginners.
It is very good that modern engines use such a financial model that you can start using them absolutely for free.
I spent a month and a half learning the basics of the engine and creating a test project. It is really easy to achieve beautiful graphics in it. The just created project has by default good settings for graphics, lighting and high-quality screen effects. It makes almost any scene look good. In addition, the engine by default offers a number of beautiful particle effects, such as fire, smoke, sparks and explosions. A good shader is also included for grass and plants, giving the vegetation nice wind animation.
Then I went into programming script and map generation. It turned out that writing your own code for Unreal is very inconvenient. C++ is a very powerful language, but the mechanisms it uses for integrating with external development environment are outdated. But it is precisely the interaction of user code with the engine that takes up the bulk of programming. You have to constantly decorate your code with macros, which greatly reduces its readability. Unreal Engine uses its own garbage collection, which is not provided by the C++ language itself. This requires the developer to use special arrays and lists. As the result you are not using pure C++, but a modification of the language - Unreal C++, which has lots of features and nuances that you need to know and understand.
I was also surprised that the standard terrain tool does not support real-time creation and modification from code. It was a big problem for me, because my
game uses procedural level generation. Of course, Unreal provides complete freedom to create your own tools, and you can make your own terrain
with blackjack and ho with all the necessary functions. And you can also get used to the
language. But I decided to spend another month and a half and figure out the Unity engine.
Welcome to the Force of Nature 2 development blog!
My name is Artem. I've been developing the second part of the game since August 2017 - i.e. already 2 years. Now a lot of work has been done, so I can make predictions about the date of release. I think it will be in the spring of 2020.
In this post I'll tell you why I decided to make the second part, and not update the first game. Yes, the first part of the game really has many drawbacks - balance, control, user interface, outdated graphics. I'd like to fix all of this.
A little history of the creation of the first part of the game.
To begin with, I made a big mistake by deciding to make the game from beginning to end by myself, without using game engines. Initially I did not even think that I will sell this game. I was interested in diving into the study of the mechanisms of the game engine and creating everything with my own hands. I started development in August 2011, exactly 8 years ago. Then it seemed to me that I would finish everything in 1 year. The game was released in December 2016. It took a lot of time to develop physics, animation, sound processing, resource management, artificial intelligence of monsters, user interface and more. In addition, the level of all these systems did not reach modern standards. The render distance is very small, the sounds lack reverb and other effects, the user interface has few tools for aligning elements, and so on. Finally, I completed the game. And I would like to add tons of new content to it. But adding each new feature took too much time, because every time I had to edit my engine, add new functions to it. In addition, I watched a lot of streams on my game and realized that I made some mistakes in the game design. In the end, I decided to take the popular game engine and create a new game from scratch.
In the second part of the game will be:
- Caves and Dungeons
- A story with multiple endings
For 2 years of development, I made everything that was in the first part, and even more. The game has changed a lot. Probably the most noticeable of the changes is the camera. The game now has an RPG game format. The player is always in the middle of the screen, and the movement and attack are controlled with the mouse. Since the game is a mixture of RPG, strategy and farm genres, this format justifies itself.